Profiel van 勇鱼和青蛙，简单的故事Foto'sWeblogLijstenMeer  |  Extra Help |
别了，我的大学 ．．．
结束了么？考研，论文？
过了好长时间，压抑了好久哦，我应该高兴才对，因为暂时已经没有顾虑了．
公费．．．
听起来还不赖，偏差不远吧，看到招生网上公布的信息，不会错的拉！
我成功了！
先恭喜我的室友吧！也是公费．
再恭喜波波，科长吧，超强公费．
向张表致敬，恒大的怀抱比研究生院温暖．
还有周表，中山的阳光更灿烂．．．
张菁说上海夜色迷茫，同济校园伙食忒贵！
．．．
４００个日日夜夜，至少我在相当认真的做一件事，并且坚持了．
万岁，为我的成长．
我可以高兴了么？？
为什么我还是有些伤感呢？
为了那怯懦的决策？或者是安于现状的懒惰？
为了未知的未来？或是即将坎坷的爱情？
．．．
很长时间都不愿意在这里留下个人的丝毫感情，
但是发现还是这里最温暖．．
我想静静待在这个属于我的世界
哭泣．．
我又回到起点，不过相信我得到的会多过失去的．
我不是最好的，但是我会努力变成更好的，我会让自己真正的昂首，会让我爱的人幸福，会让爱我的骄傲！
．．．
毕业散伙的那晚很高兴，
想来将要离别才觉得亲密的不可思议，
全部都是
所有的爱恨情仇都可以忽略，只有怒放的快乐，和尔后挥之不去的淡淡忧伤．
再聚首，
会是何年何月？会是什么样子呢？
．．．
我现在应该真的高兴一下了，
三年，又一张白纸任我涂抹！
感谢这并不完美的结束，
我爱你，我的大学！ nothing but sadnessThere Is a Light That Never Goes Out
Take me out tonight Where there's music and there's people And they're young and alive Driving in your car I never never want to go home Because I haven't got one Anymore Take me out tonight Because I want to see people and I Want to see life Driving in your car Oh, please don't drop me home Because it's not my home, it's their Home, and I'm welcome no more And if a double-decker bus Crashes into us To die by your side Is such a heavenly way to die And if a ten-ton truck Kills the both of us To die by your side Well, the pleasure - the privilege is mine Take me out tonight Take me anywhere, I don't care I don't care, I don't care And in the darkened underpass I thought Oh God, my chance has come at last (But then a strange fear gripped me and I Just couldn't ask) Take me out tonight Oh, take me anywhere, I don't care I don't care, I don't care Driving in your car I never never want to go home Because I haven't got one, da ... Oh, I haven't got one And if a double-decker bus Crashes into us To die by your side Is such a heavenly way to die And if a ten-ton truck Kills the both of us To die by your side Well, the pleasure - the privilege is mine Oh, There Is A Light And It Never Goes Out There Is A Light And It Never Goes Out There Is A Light And It Never Goes Out There Is A Light And It Never Goes Out There Is A Light And It Never Goes Out There Is A Light And It Never Goes Out There Is A Light And It Never Goes Out There Is A Light And It Never Goes Out There Is A Light And It Never Goes Out Hot Fuss尼古拉斯·安奇尔（西蒙·佩吉）是伦敦一名警察，他是这个城市的罪恶克星，整天尽力抓犯人是他最大的乐趣，由于太过敬业，他的业绩“蒸蒸日上”，所抓犯人的人数是其他同事的4倍，一不小心成了整个警局中最能干的警察。本来，有着如此出色的员工算是警长的福气，然而由于尼古拉斯太过勇猛，搞得其他同事显得很窝囊，于是，警长耍无赖把心一横决定下放尼古拉斯，把他赶到一个偏远的小镇当警察。 这是个安静的小镇，20年没有发生过谋杀绑架等恶性犯罪事件。尼古拉斯来到这里顿时觉得英雄无用武之地，顿时感到郁闷。同时，该小镇警察局长弗兰克·巴特曼（吉姆·布洛德本特）更做了个让尼古拉斯更郁闷的决定：弗兰克让自己同样当警察的儿子丹尼·巴特曼（尼克·弗罗斯特）当尼古拉斯的搭档。 丹尼是个爱看动作片的憨厚男，他一心想像电影里的警察那样一生轰轰烈烈，当他知道自己的新搭档来自大城市时，丹尼就缠着尼古拉斯不停地问一些电影情节的真实版本，譬如追车激不激烈，尼古拉斯一共开枪打过几个人等等。 尼古拉斯很烦，他一方面要应付丹尼，另一方面要应付很“闷”的工作，譬如帮街坊找丢失的鹅，带迷路小孩回家等等。直到有一天，小镇上有人死去，尼古拉斯凭借自己当警探多年的直觉，发现这个人可能是被谋杀。他与丹尼两人开始调查这个谋杀案，没想到在这安静的小镇背后，一堆犯罪份子正在蠢蠢欲动，于是，丹尼所期望的追车、枪战等场面在这小镇上一一上演…… 埃德加·赖特的热血动作喜剧 介绍埃德加·赖特这个英国导演导演，可能最直观的方法就是冠以“昆汀·塔伦迪诺与罗伯特·罗德里格兹的死党”这一名号。没错，埃德加·赖特是属于昆汀、罗德里格兹那一挂的导演，但这样介绍他似乎有点不公平，埃德加虽然不算大红，但也拍出过很好的片子，《僵尸肖恩》这部结合无厘头笑料加大量血浆的电影就是让他扬名立万的作品。 埃德加其实14岁就开始接触电影行业了，到了1994年20岁的时候还拍了自己的第一部小电影，在电视台放，这个电影人跟昆汀他们很相像，都是从小就爱看B级暴力动作片，可以说埃德加看遍了世界上所有能找到的动作片。在遇到同样喜欢看这类片的西蒙·佩吉之后，他们两人就开始正式向电影业进军，2004年拍出了《僵尸肖恩》一举获得成功，拍完这部电影之后，他们两人就没做其他事专心准备这部《热血干探》了。 打算做这部电影是埃德加的主意，他拍片的原因好像有点类似凯文·史密斯，都是因为对自己所生长的地方有着一股难以割舍的感情。拍《僵尸肖恩》的地方是伦敦的北部，那是埃德加现在居住的地方，在拍完这部西之后，他就像拍一部发生在他家乡的电影，威尔士的一个安静小镇上。他与西蒙·佩吉商量之后决定拍一部发生在小镇上的警察电影，将他们觉得最酷的动作电影的元素全集中在这部电影中，然这部电影既热血又好玩。 有了这个计划之后，埃德加和西蒙又开始找回以前的动作电影看，寻找灵感。从《轰天炮》、《虎胆龙威》到吴宇森的香港动作片再到英国本土的动作片，他们一共找来200张DVD，不分昼夜的再重温了一遍。他们发现英国的警察电影很奇怪，虽然说是警察捉贼的片子，但很少见到片中有穿制服的警察。“我们知道英国警察不是世界上最酷的，但是我们要在这部电影中让他们看起来很酷，我们要让警察都穿起制服来”。 有了这个概念，再加上他们从过往的动作片中码了一些元素下来之后，他们两人还去采访了许多伦敦警察，和他们一同体验了一段生活。之后，他们两人就躲到埃德加小时候住的乡村房子里去写剧本，里面没有网络没有电话，他们就一心一意写了这个剧本出来。 找演员的时候很方便，首先编剧西蒙·佩吉就是个很好的演员，他在《僵尸肖恩》里面的表现很有喜感，于是他也很顺理成章地演起了《热血干探》里的一个警察主角。其他演员也很好找，大多数来自《僵尸肖恩》的演员这次也都被启用，而一些长期在好莱坞搏杀的英国演员也回来助阵，像《加勒比海盗2》的演章鱼怪的比尔·奈伊、演过《佐罗面具》的斯徒尔特·威尔森等等都在这部电影中演配角。除此之外，虽然这部电影是走无厘头风格，但也不乏严肃大演员加盟，其中还有奥斯卡将得主吉姆·布洛德本特，他与朱迪·丹奇和凯特·温斯莱特合演的《艾丽思》让他得到奥斯卡男配角奖与金球奖男配角奖，在马丁·西科赛斯的《纽约黑帮》、以及《红磨坊》等电影都有他的身影，这次他回来出演一个小角色，丹尼的爸爸弗兰克·巴特曼。 一切准备就绪，这部电影就在06年3月开拍，拍摄周期仅有11周，剩下一段时间做后期工作，整个电影就完成了。 《热血干探》这部电影在节奏上做得比较有意思，大体可以分为两部分，前一部分很安静，就是两警察在小镇找猫找狗地过无聊的生活，后部分突然风格一转就变成了追车枪战场面四溢的警匪片，而这两种截然不同的风格全由两个主角的爆笑行径贯穿起来，这种“片格分裂”的做法有点像《杀出个黎明》，看来埃德加还真是昆汀那一挂的导演。他做这个《热血干探》很用心，除了帮老友昆汀和罗德里格兹的《刑房》拍了段假预告片之外，当中没再接其他工作，他全心全意做的这个英式警察喜剧虽然还没真正公映，但在美国那边已经引起了众人的注意，美国媒体评论家看过这部电影之后都亮出好高的分数，像《村声》、《首映》、《名利场》等媒体的评论家纷纷给出80到90的高分，看来埃德加的心思没白花，现在口碑已经有了，就等电影上演看票房成绩吧。 CROW 我惧怕死亡，它会让人伤心。
可是因为它会让人心碎，总会有人想去触摸死亡感觉。
他们挣扎着窥探，无奈的自嘲，原来就这样消失其实并没有什么值得叙述。死的重要，是因为爱的衬托。亲情，友情，爱情..统统敌不过死神的绝望和悲壮。
更可怕的是死神不是独来独往的，他带着腐朽一切的时间。千年万年的时间也微不足道的他游戏般嘲弄短暂人生间衰退的记忆，忘掉刻骨铭心，忘掉生死与共，忘掉山盟海誓...
...
我死了，或者我永生了。
spwan和crow可以从地域熊熊烈焰中折返人间，但纵使有无尽的力量，他们还是悲伤，绝望。他们带着死的印记，被黑暗笼罩。而他们的爱在时光流逝间恍若四散的魂灵。
痛苦吧，现实是残酷的。
.......
无法尝受。
關於烏鴉的傳說
從前，人們相信當有人死掉的時候，烏鴉會帶著他們的靈魂來到死者的國度。
可是有時候很不好的事情發生了，以至於極度的悲傷也跟隨著烏鴉來到了死者的國度，靈魂便無法休息。 有時候烏鴉會帶著這些靈魂回到人世間，框正所有錯誤的行為。 如果我們所愛的人離我們而去，讓他們繼續活下去的辦法就是不要停止對他們的愛。 建築物會損毀，人們會死去，可是真正的愛卻是永垂不朽的。 《The Crow》是由詹姆斯歐拔 (James O’Barr) 創作的暢銷漫畫。故事的契機始於七十年代，歐拔當時服務於海軍，遭逢未婚妻車禍喪生的悲慟。截至目前為止，《The Crow》已成為一知名的系列漫畫，並改編成電視影集和電影。 A Biography for Frank Miller from IMDbDate of Birth27 January 1957, Olney, Maryland, USAHeight6' 1½" (1.87 m)Mini BiographyFrank Miller was a big comics writer/artist in the 70s and 80s. He wrote and penciled the Marvel series "Daredevil" for a long time. Friend Klaus Janson inked. He also wrote two spinoffs about the character Electra and did a miniseries about the "X-Men" character Wolverine. His hit miniseries "Ronin" was published by DC in the mid-eighties. His greatest success came with DC's character Batman. In 1980, he wrote the acclaimed "Batman" story "Wanted - Santa Claus - Dead or Alive!" for DC Comics. In 1986, his most notable comic-book work, the groundbreaking "Batman: The Dark Knight Returns," an alternate history story about Batman in a grim future, was published by DC. Miller wrote and penciled, In 1988, he wrote the acclaimed "Batman: Year One," about Batman's first year on the job, for DC. In 1996, he wrote "Spawn versus Batman," a one-shot issue published by DC and Image Comics. Miller also co-created the Robocop character. He wrote the major motion pictures _Robocop 2 (1990)_ and RoboCop 3 (1993) and did the "Robocop" comic series for a little while.IMDb Mini Biography By: Sean Murphy Spouse
Trade MarkIs best known for his grim film-noirish comic book stories using characters like Batman and Daredevil as well as original works like Sin City. Often features characters with a physical or mental affliction. Both Miho and Kevin from Sin City are mute, whilst Marv's mother, Matt Murdock/Daredevil, Stick and Manute are all blind. Both Sin City's Hartigan and Batman in Dark Knight Returns suffer heart problems. Often features characters who are 'killed', disfigured or mortally wounded, only to be surgically rebuilt stronger and deadlier than before, eg. Robocop, Dwight, Batman. TriviaWrites, draws, and inks all of his Sin City comics. Has worked for both Marvel Comics and DC Comics. His comic book series Sin City is on the Dark Horse Comics label. In mid-2003, a comic book company called Avatar is publishing a comic book series adapting his original screenplay for _Robocop 2 (1990)_ , which allegedly had enough subplots and material for several movies. He claimed in the introduction to "The Dark Knight Returns" that he got the idea of writing of a Batman in his mid 60s from a age crisis he had. He "could stand that his little brother was older than Spider-Man, but that he himself getting older than Batman, was something that had to be stopped." He was 29 years old, closing up on 30, writing "The Dark Knight Returns." Has told in several interviews that he got the inspiration for the "noir and gritty experience" of all his comics (especially Sin City) from noir writers Mickey Spillane, Raymond Chandler, Dashiell Hammett. The pacing was very influenced by the Lone Wolf & Cub manga by Goseki Kojima & Kazuo Koike Moved to New York in 1976, when he was 19. Within a week of his arrival he had found work as a comic book artist. Has said that the Romantic Manifesto by Ayn Rand, a book of collective essays about art and romanticism, helped him to determine how he'd go about creating his heroics. Was approached by New Line Cinema in 1988 to write and direct "A Nightmare On Elm Street 5". He declined due to prior commitments. Personal Quotes"I figured Daredevil must be Catholic because only a Catholic could be both an attorney and a vigilante." "You can't have virtue without sin. What I'm after is having my characters' virtues defined by how they operate in a very sinful environment. That's how you test people." "I was always into noir. When I lived in Vermont I was drawing stuff that looked like an amateur doing 'Sin City'. When I first got to New York I was swiftly informed that they only did guys in tights." "I realized that I was about to turn 30, and Batman was permanently 29. And I was going to be damned if I was older than Batman." [about his inspirations] I'm a comic book artist. So I think too myself, what do I like to draw? I like to draw hot chicks, fast cars and cool guys in trench coat. So that's what I write about. [on Batman Begins] "I totally thought they did a damned good job. It was the first 'Batman' movie I've genuinely liked. I sat there, I watched it, and I came out of there going, 'Well done, man.' Sure, they used my stuff - they used everybody's stuff, but they used my stuff a lot - but they did it well, and that's all I care about. It was Batman. What I mean by that is, I thought the character was true. You understand, when I work on a character, I have a very, very hard time seeing anybody else's interpretation. I get very possessive. But when I went out to see this thing, I said, 'This is a pretty cool Batman.' I wasn't sitting there going, 'This is a merchandising tool.' I felt like it really had heart and substance, and Christian Bale with no doubt performed the best Batman I have ever seen." Where Are They Now(2001) Writing and illustrating "Sin City," a comic series, for Dark Horse; co-writing the script for "Batman: Year One," a feature film adaptation of his comic series for Warner Brothers; writing and illustrating "The Dark Knight Strikes Again" for DC, a sequel to "The Dark Knight Returns;" outlining "Jesus!", a comic-book version of the life of Christ for Dark Horse Maverick. (2004) Just finished filming Sin City (2005) together with Robert Rodriguez, in late post-production. Also preparing stories for future Sin City graphic novels. Who Is Frank Miller?Frank Miller is perhaps one of the most innovative writer artists in recent times. His name is synonymous with the words "genius" and "legend" or even "legendary genius." He has an unparalleled ability to take his influences in movies and Eastern art and literature and the books (mostly thrillers) he devoured as a youth, and transform it into a gritty style that becomes uniquely, well, Miller. Movies were also a great influence. The works of Akira Kurosawa combined with Kazuo Koike and Goseki Kojima's Lone Wolf and Cub influenced his critically acclaimed Ronin.
美国著名漫画大师。弗兰克·米勒1957年出生于马里兰州的奥米亚，1986年他推出自己的漫画处女作《蝙蝠侠黑骑士再现》，立即引起业界和读者的普遍关注。如果说在70、80年代，弗兰克·米勒在前人基础上创作的“金刚狼”和“蝙蝠”的众多漫画为他带来的还仅仅局限于圈内的名气，那么90年代早期，他放弃主流独辟蹊径推出了《罪恶之城》则真正奠定了他在漫画界的大师地位。这部漫画作品也得到了导演罗伯特·罗德里格兹的追捧，并于2005年力邀弗兰克·米勒共同把这部经典漫画改编成了风格另类的同名电影。 |
|
|
